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	<title>Quaderns 2011 - 2016 &#187; 264</title>
	<atom:link href="http://quaderns.coac.net/numeros/264/feed/" rel="self" type="application/rss+xml" />
	<link>http://quaderns.coac.net</link>
	<description>Revista d&#039;arquitectura i urbanisme</description>
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		<title>Josep Llobet: Casa C+G a Sant Vicenç de Montalt</title>
		<link>http://quaderns.coac.net/en/2013/03/josep-llobet/</link>
		<comments>http://quaderns.coac.net/en/2013/03/josep-llobet/#comments</comments>
		<pubDate>Wed, 27 Mar 2013 16:55:45 +0000</pubDate>
		<dc:creator>Ethel</dc:creator>
				<category><![CDATA[264]]></category>
		<category><![CDATA[Blog]]></category>
		<category><![CDATA[Observatory]]></category>
		<category><![CDATA[Anuari]]></category>
		<category><![CDATA[Anuario]]></category>
		<category><![CDATA[vivienda]]></category>

		<guid isPermaLink="false">http://quaderns.coac.net/?p=3140</guid>
		<description><![CDATA[(Català) Josep Llobet: Casa C+G a Sant Vicenç de Montalt. Aquest projecte ha estat publicat en Quaderns #264 Anuari.]]></description>
				<content:encoded><![CDATA[<p><iframe src="http://player.vimeo.com/video/62012855" width="690" height="505" frameborder="0" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe>
<p><a href="http://vimeo.com/62012855">QUADERNS &#8211; JOSEP LLOBET &#8211; c+g</a> from <a href="http://vimeo.com/quaderns">Quaderns</a> on <a href="http://vimeo.com">Vimeo</a>.</p>
<p>Casa C+G<br />
Location: Sant Vicenç de Montalt<br />
Architect: Josep Llobet<br />
Collaborators: Ana Roque, Marcilio Sabino, Natalia Ojeda, Lai Hung Hauan, Alice Mioni, Marta Sánchez, Alessandra Varonier and Laura Bonell.<br />
Date: 2009<br />
Surface: 686.27m2 + 2000m2<br />
Photos: Jaume Prat Ortells<br />
Web: <a href="http://www.josepllobet.com/" target="_blank">www.josepllobet.com</a></p>
<p>This project has been published on Quaderns #264 Anuari. With this issue we are recovering the old yearbook format that, firstly, enables us to compile and expand in a coherent manner the information featured in Observatory, a regular section in Quaderns in both its printed and digital formats, and secondly, reaffirms the desire to establish connections between the history of the magazine itself and a contemporary re-reading of it.</p>
<p><a href="http://quaderns.coac.net/2013/03/josep-llobet/tpn_quaderns264_29/" rel="attachment wp-att-3143"><img src="http://quaderns.coac.net/wp-content/uploads/2013/03/TPN_Quaderns264_29-690x508.jpg" alt="" title="TPN_Quaderns264_29" width="690" height="508" class="alignnone size-large wp-image-3143" /></a></p>
<p><a href="http://quaderns.coac.net/2013/03/josep-llobet/tpn_quaderns264_30/" rel="attachment wp-att-3144"><img src="http://quaderns.coac.net/wp-content/uploads/2013/03/TPN_Quaderns264_30-690x508.jpg" alt="" title="TPN_Quaderns264_30" width="690" height="508" class="alignnone size-large wp-image-3144" /></a></p>
<p><a href="http://quaderns.coac.net/2013/03/josep-llobet/josep-llobet-a-11/" rel="attachment wp-att-3155"><img src="http://quaderns.coac.net/wp-content/uploads/2013/03/JOSEP-LLOBET-A-11-690x441.jpg" alt="" title="JOSEP LLOBET-A (11)" width="690" height="441" class="alignnone size-large wp-image-3155" /></a></p>
<p><a href="http://quaderns.coac.net/2013/03/josep-llobet/josep-llobet-a-9/" rel="attachment wp-att-3153"><img src="http://quaderns.coac.net/wp-content/uploads/2013/03/JOSEP-LLOBET-A-9-690x463.jpg" alt="" title="JOSEP LLOBET-A (9)" width="690" height="463" class="alignnone size-large wp-image-3153" /></a></p>
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		<title>Memorias portátiles de Ricardo Flores &amp; Eva Prats + ESARQ-UIC</title>
		<link>http://quaderns.coac.net/en/2013/01/memorias-portatiles/</link>
		<comments>http://quaderns.coac.net/en/2013/01/memorias-portatiles/#comments</comments>
		<pubDate>Mon, 14 Jan 2013 11:41:59 +0000</pubDate>
		<dc:creator>Ethel</dc:creator>
				<category><![CDATA[264]]></category>
		<category><![CDATA[Blog]]></category>
		<category><![CDATA[agenda]]></category>
		<category><![CDATA[contributors]]></category>

		<guid isPermaLink="false">http://quaderns.coac.net/?p=2628</guid>
		<description><![CDATA[(Català) La exposición Memorias portátiles, se inaugurará el próximo Jueves 17 de Enero a partir de las 19:00]]></description>
				<content:encoded><![CDATA[<p>Sorry, this entry is only available in <a href="http://quaderns.coac.net/es/numeros/264/feed/">Español</a>.</p>
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		</item>
		<item>
		<title>Quaderns #264 Yearbook</title>
		<link>http://quaderns.coac.net/en/2012/11/264/</link>
		<comments>http://quaderns.coac.net/en/2012/11/264/#comments</comments>
		<pubDate>Thu, 15 Nov 2012 09:36:33 +0000</pubDate>
		<dc:creator>Ethel</dc:creator>
				<category><![CDATA[264]]></category>
		<category><![CDATA[Blog]]></category>
		<category><![CDATA[issues]]></category>
		<category><![CDATA[Anuari]]></category>
		<category><![CDATA[Anuario]]></category>
		<category><![CDATA[projects]]></category>
		<category><![CDATA[Yearbook]]></category>

		<guid isPermaLink="false">http://quaderns.coac.net/?p=2487</guid>
		<description><![CDATA[(Català) Amb  Quaderns #264, homenatgem i recuperem l’esperit dels anuaris publicats regularment a la revista entre 1969 i 1979, amb una selecció de més de 50 obres, projectes i molt més.]]></description>
				<content:encoded><![CDATA[<p>With this issue we are recovering the old yearbook format that, firstly, enables us to compile and expand in a coherent manner the information featured in <em>Observatory</em>, a regular section in Quaderns in booths its printed and digital formats, and secondly reaffirms the desire to establish connections between the history of the magazine itself and a contemporary re-reading of it.</p>
<p>In Quaderns #264, we retrieve the yearbooks published regularly in the magazine between 1969 and 1979, with a selection of over 50 works, projects and more.</p>
]]></content:encoded>
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		<title>(Català) Victor Rahola Aguade: &#8220;Els murs de pedra seca a Eivissa&#8221;</title>
		<link>http://quaderns.coac.net/en/2012/07/victor-rahola-aguade/</link>
		<comments>http://quaderns.coac.net/en/2012/07/victor-rahola-aguade/#comments</comments>
		<pubDate>Tue, 17 Jul 2012 11:33:15 +0000</pubDate>
		<dc:creator>Ethel</dc:creator>
				<category><![CDATA[264]]></category>
		<category><![CDATA[Observatory]]></category>
		<category><![CDATA[articles]]></category>
		<category><![CDATA[paisatge]]></category>

		<guid isPermaLink="false">http://quaderns.coac.net/?p=2344</guid>
		<description><![CDATA[(Català) article que tracta sobri les parets seques i de la geografia territorial que generen les seves divisions.]]></description>
				<content:encoded><![CDATA[<p>Sorry, this entry is only available in <a href="http://quaderns.coac.net/numeros/264/feed/">Català</a>.</p>
]]></content:encoded>
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		</item>
		<item>
		<title>ICSID Congress and the &#8216;Instant City´</title>
		<link>http://quaderns.coac.net/en/2012/06/264-congres-icsid/</link>
		<comments>http://quaderns.coac.net/en/2012/06/264-congres-icsid/#comments</comments>
		<pubDate>Tue, 26 Jun 2012 09:48:31 +0000</pubDate>
		<dc:creator>Ethel</dc:creator>
				<category><![CDATA[264]]></category>
		<category><![CDATA[Archive]]></category>
		<category><![CDATA[issues]]></category>
		<category><![CDATA[Archivo]]></category>
		<category><![CDATA[Prada-Poole]]></category>

		<guid isPermaLink="false">http://quaderns.coac.net/?p=2322</guid>
		<description><![CDATA[(Català) En relació amb l'exposició que té lloc en el MACBA actualment, recuperem aquests extractes de Cuadernos de Arquitectura y Urbanismo Any: 1971 Núm.: 81]]></description>
				<content:encoded><![CDATA[<p>In relation to the exhibition currently taking place at the MACBA, we&#8217;re revisiting these extracts of <em>Cuadernos de Arquitectura y Urbanismo Any: 1971 Núm.: 81:</em></p>
<p>&#8220;Coinciding with the celebration in Barcelona of the ICSID Assembly and the International Design Congress held in Ibiza, this special number of the magazine Cuadernos, published in collaboration with ADIIFAD [organizing body of the Congress] is dedicated to Industrial Design. The magazine has contributions of several international and well known designers of the current moment.</p>
<p>In 1971, the ICSID Congress was held at Cala de Sant Miquel, a bay on the north-west coast of Eivissa, away from the usual urban venues. In the context of Franco’s dictatorship, dominated by repression, censorship and lack of freedom, Eivissa was still a relatively unspoilt environment, sparsely urbanised. Thanks to the intellectuals and artists who had settled there since the thirties (Hausmann, Benjamin or the architects from GATCPAC), avant-garde and transgression coexisted with a rural culture, very tolerant of visitors and capable of reconciling opposing aesthetic and social tendencies.&#8221;</p>
<p>First published in: ”<em>Cuadernos de Arquitectura y Urbanismo Any: 1971 Núm.: 81 [ICSID 1971 Ibiza I]</em>”</p>
<p>You can read the pdf here: <a href="http://www.raco.cat/index.php/CuadernosArquitecturaUrbanismo/article/view/111045/160779" target="_blank">Cuadernos de Arquitectura y Urbanismo Any: 1971 Núm.: 81</a></p>
<p><a href="http://quaderns.coac.net/2012/06/264-congres-icsid/comite-ad-hoc-01/" rel="attachment wp-att-2325"><img class="alignnone size-medium wp-image-2325" title="Comité Ad Hoc 01" src="http://quaderns.coac.net/wp-content/uploads/2012/06/Comité-Ad-Hoc-01-450x625.jpg" alt="" width="450" height="625" /></a></p>
<p>At this time, it is important to highlight the importance of revisiting events like this. As we can see in the letter of the &#8220;Ad Hoc Committee&#8221;, written by José Miguel de Prada Poole that collaborative practices are not something new, although the presence of the financial crisis and the lack of public resources has had as a reaction a revival of citizen initiatives that seek to improve their immediate environment.</p>
<p>For this reason we see a revival of these actions and social movements as present and active in events such as the <a href="http://spontaneousinterventions.com/" target="_blank">Venice Biennale</a> or the design Biennale, Istanbul, where one of the topics is <a href="http://istanbuldesignbiennial.iksv.org/adhocracy/" target="_blank">adhocracy</a>.</p>
<p>More information about the exhibition <a href="http://www.macba.cat/en/exhibition-icsid" target="_blank">Utopia is Possible</a> which is at MACBA from June 21 to January 20, 2013.</p>
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		<title>J. Mª Bosch Aymerich &#8216;Single House&#8217;</title>
		<link>http://quaderns.coac.net/en/2012/06/264-bosch-aymerich/</link>
		<comments>http://quaderns.coac.net/en/2012/06/264-bosch-aymerich/#comments</comments>
		<pubDate>Mon, 11 Jun 2012 07:22:57 +0000</pubDate>
		<dc:creator>Ethel</dc:creator>
				<category><![CDATA[264]]></category>
		<category><![CDATA[Archive]]></category>
		<category><![CDATA[issues]]></category>
		<category><![CDATA[Anuari]]></category>
		<category><![CDATA[Anuario]]></category>
		<category><![CDATA[housing]]></category>
		<category><![CDATA[vivienda]]></category>

		<guid isPermaLink="false">http://quaderns.coac.net/?p=2314</guid>
		<description><![CDATA[BRAZIL CATALONIA. 1970 The building responds to the determinants imposed by the extraordinary slope field and the typical landscape of the Costa Brava. With these constraints, Bosch Aymerich wanted to...]]></description>
				<content:encoded><![CDATA[<p>BRAZIL CATALONIA. 1970</p>
<p>The building responds to the determinants imposed by the extraordinary slope field and the typical landscape of the Costa Brava. With these constraints, Bosch Aymerich wanted to do something organically and at the same time, characterized for its formal aspect.</p>
<p>In order to leave the most possible natural space for use as a spontaneous garden, the area in support of the construction, making a dent in the same slope, whose configuration remains virtually intact and reduced to a minimum.</p>
<p>First published on: ”<em>Anuari de Quaderns 1970-1 p.41</em>”</p>
<p>You can read the PDF here: <a href="http://www.raco.cat/index.php/CuadernosArquitectura/article/view/112011/170711" target="_blank">Quaderns 1970-1</a></p>
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		<title>Quaderns #264 &#8216;Yearbook&#8217;</title>
		<link>http://quaderns.coac.net/en/2012/06/quaderns-264-anuari/</link>
		<comments>http://quaderns.coac.net/en/2012/06/quaderns-264-anuari/#comments</comments>
		<pubDate>Fri, 01 Jun 2012 15:12:41 +0000</pubDate>
		<dc:creator>Ethel</dc:creator>
				<category><![CDATA[264]]></category>
		<category><![CDATA[issues]]></category>
		<category><![CDATA[Anuari]]></category>
		<category><![CDATA[Anuario]]></category>
		<category><![CDATA[proyectos]]></category>
		<category><![CDATA[Yearbook]]></category>

		<guid isPermaLink="false">http://quaderns.coac.net/?p=2301</guid>
		<description><![CDATA[(Català) Molt aviat el proper Quaderns #264, on  homenatgem i recuperem l'esperit dels anuaris publicats regularment a la revista entre 1969 i 1979, amb una selecció de més de 50 obres, projectes i molt més…
]]></description>
				<content:encoded><![CDATA[<p>Coming soon the next issue of Quaderns #264, in which we retrieve the yearbooks published regularly in the magazine between 1969 and 1979, with a selection of over 50 works, projects and more…</p>
<div></div>
<p>&nbsp;</p>
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		<title>F. X. Pouplana Solé &#8216;Experimental proposal for a way of living&#8217;</title>
		<link>http://quaderns.coac.net/en/2012/04/264-pouplana-sole/</link>
		<comments>http://quaderns.coac.net/en/2012/04/264-pouplana-sole/#comments</comments>
		<pubDate>Wed, 11 Apr 2012 13:24:37 +0000</pubDate>
		<dc:creator>Ethel</dc:creator>
				<category><![CDATA[264]]></category>
		<category><![CDATA[Archive]]></category>
		<category><![CDATA[issues]]></category>
		<category><![CDATA[Anuari]]></category>
		<category><![CDATA[Archivo]]></category>
		<category><![CDATA[experimental]]></category>
		<category><![CDATA[speculative]]></category>

		<guid isPermaLink="false">http://quaderns.coac.net/?p=2285</guid>
		<description><![CDATA[At a trade fair —whose function is to confront the supply with the demand—  any contribution far away from the commercialization can only function as a proof aimed to promoting...]]></description>
				<content:encoded><![CDATA[<p>At a trade fair —whose function is to confront the supply with the demand—  any contribution far away from the commercialization can only function as a proof aimed to promoting new demands. A contribution of this kind must, therefore, be considered as an experiment designed purposely to cause a certain desire (a supposed need for expression) and measure their social value (extension of the possible demand).</p>
<p>From this approach, our proposal —subsidized by the organizing c ofommittee Hogarotel 10—  was intended as an instrument itself only of causing the release of the ludicrous desires, which we thought is one of the most repressed issues by current domestic equipment —more &#8216; representative&#8217; that suited to everyday use—.  And, consequently, it was developed by an unusual atmosphere, but with certain significant references which incited to lead a ludicrous behavior but without suggesting any established social patterns of behaviour.</p>
<p>First published on: &#8221;<em>Anuari de Quaderns 1971-2 nº85 p.126</em>&#8221;</p>
<p>You can read the PDF here:  <a href="http://www.raco.cat/index.php/CuadernosArquitecturaUrbanismo/article/view/112207/160827" target="_blank">Quaderns 1971-2 nº85</a></p>
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		<title>F. Ayguavives G. and X. Gomá Presas &#8216;A Clockwork Orange&#8217;</title>
		<link>http://quaderns.coac.net/en/2012/03/264-ayguavives-i-x-goma/</link>
		<comments>http://quaderns.coac.net/en/2012/03/264-ayguavives-i-x-goma/#comments</comments>
		<pubDate>Tue, 13 Mar 2012 20:33:55 +0000</pubDate>
		<dc:creator>Ethel</dc:creator>
				<category><![CDATA[264]]></category>
		<category><![CDATA[Archive]]></category>
		<category><![CDATA[issues]]></category>
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		<category><![CDATA[Archivo]]></category>

		<guid isPermaLink="false">http://quaderns.coac.net/?p=2254</guid>
		<description><![CDATA[The project was focused on building a kiosk for selling oranges along the road, in the vicinity of the Junquera. It should be quickly visible, understandable and palatable. It was...]]></description>
				<content:encoded><![CDATA[<p>The project was focused on building a kiosk for selling oranges along the road, in the vicinity of the Junquera. It should be quickly visible, understandable and palatable. It was meant to be a &#8220;Building-Advertising-Stop&#8221; which produced the effect of a big orange anchored in the lurch, feeding and spawning perpetually citrus products through a complicated umbilical cord to then pass them to a rare mechanical incubator, where lunatic children will be annihilated and duly empowered those who have made worthy of life, which means to be placed on the sales porch, where the conspicuous tourist, without realizing that has been hunted by the organic hook is waiting to devour them as the last micro-orgasm of a &#8220;holiday in Spain&#8221;.</p>
<p>First published: &#8221;<em>Anuari de Quaderns 1974-1 nº103 p.31</em>&#8221;</p>
<p>You can read the PDF here: <a href="http://www.raco.cat/index.php/CuadernosArquitecturaUrbanismo/article/view/112321/161058" target="_blank">Quaderns 1974-1 nº103</a></p>
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		<title>Campana-Campanae by Lluís Clotet and Studio PER</title>
		<link>http://quaderns.coac.net/en/2012/03/264-lluis-clotet/</link>
		<comments>http://quaderns.coac.net/en/2012/03/264-lluis-clotet/#comments</comments>
		<pubDate>Wed, 07 Mar 2012 12:31:59 +0000</pubDate>
		<dc:creator>Ethel</dc:creator>
				<category><![CDATA[264]]></category>
		<category><![CDATA[Archive]]></category>
		<category><![CDATA[Anuari]]></category>
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		<guid isPermaLink="false">http://quaderns.coac.net/?p=2230</guid>
		<description><![CDATA[(Català) De Federico Corretja i Alfonso Milá els arquitectes de Studio SER comenten haver après la preocupació pels problemes higiènics en les cuines, concretament els derivats de la condensació de bafs en parets, objectes i persones […] per això la proposta es va basar a dissenyar una campana que es conformés com un objecte independent]]></description>
				<content:encoded><![CDATA[<p>From Federico Correa and Alfonso Milá, the architects of Studio PER have learned the concern by hygienic problems in the kitchens, specifically those derived from the condensation of steam on walls, objects and people&#8230; that is why this proposal was based on designing a kitchen extractor that was as an independent object, not linked to any number of cabinets or kitchen furniture and accessible from any point, independent of the plant distribution.</p>
<p>Contributors: Oscar Tusquets, architect, and Anna Bohigas.</p>
<p>You can read thepdf [Spanish] here: <a href="http://www.raco.cat/index.php/CuadernosArquitecturaUrbanismo/article/view/112323/161060" target="_blank">QUADERNS ANUARIS Núm 103 Anuario 1974-I</a></p>
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