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	<title>Quaderns 2011 - 2016 &#187; Observatory</title>
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	<link>http://quaderns.coac.net</link>
	<description>Revista d&#039;arquitectura i urbanisme</description>
	<lastBuildDate>Tue, 08 Aug 2017 08:09:43 +0000</lastBuildDate>
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		<title>The Observatory is back!</title>
		<link>http://quaderns.coac.net/en/2013/05/observatori/</link>
		<comments>http://quaderns.coac.net/en/2013/05/observatori/#comments</comments>
		<pubDate>Fri, 17 May 2013 11:27:33 +0000</pubDate>
		<dc:creator>Ethel</dc:creator>
				<category><![CDATA[Blog]]></category>
		<category><![CDATA[Observatory]]></category>
		<category><![CDATA[call for projects]]></category>

		<guid isPermaLink="false">http://quaderns.coac.net/?p=3183</guid>
		<description><![CDATA[(Català) Quaderns vol potenciar la difusió del treball dels col·legiats en totes les seves formes. En aquest sentit, la secció Observatori permet recollir a la versió digital de Quaderns les propostes rellevants enviades pels col·legiats. ]]></description>
				<content:encoded><![CDATA[<p>Sorry, this entry is only available in <a href="http://quaderns.coac.net/es/tag/observatori/feed/">Español</a> and <a href="http://quaderns.coac.net/tag/observatori/feed/">Català</a>.</p>
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		<title>Jaume Terés: Leandre Cristòfol school of arts</title>
		<link>http://quaderns.coac.net/en/2012/03/263-jaume-teres/</link>
		<comments>http://quaderns.coac.net/en/2012/03/263-jaume-teres/#comments</comments>
		<pubDate>Fri, 16 Mar 2012 14:03:59 +0000</pubDate>
		<dc:creator>blogquaderns</dc:creator>
				<category><![CDATA[263]]></category>
		<category><![CDATA[issues]]></category>
		<category><![CDATA[Observatory]]></category>
		<category><![CDATA[preservació]]></category>
		<category><![CDATA[Preservat al Buit]]></category>

		<guid isPermaLink="false">http://quaderns.coac.net/?p=1849</guid>
		<description><![CDATA[The new building is formed from the interaction of the formal and spatial elements that configure the place historical memory with the new requirements and the demands of contemporary language.]]></description>
				<content:encoded><![CDATA[<p>Sant Pau’s church building is composed of different structural units according to the spacial needs and which are the result of different interventions in the building throughout the years.<br />
The adaptation of the existing typology according to the applicable regulations of the educational uses, the constructive and structural characteristics of the building, the poor architectural quality and the building new urban relationships with its surrounding area (PERI Palma Fanalets square) strongly recommend an intervention of replacement.<br />
The new building is formed from the interaction of the formal and spatial elements that configure the place historical memory with the new requirements and the demands of contemporary language.<br />
The means of access to the church from La Palma Street, and the facade of Sant Doménec Street are maintained, and the interior space is reinterpreted. These elements mix together with the new architecture looking for a balance between the building and the resulting new open area due to the change in the alignment of La Palma Street.<br />
The full-empty ratio of the skin of the building indicates the relationship of indoor space with public space. Openings are concentrated and positioned strategically in order to get sunlight and to enjoy the new visual relationships provided by urban changes.<br />
The maximum ratio between the indoor and public space occurs in the upper corner of the new area of Sant Pau Street, where the front &#8220;folds&#8221; capturing public space and setting up the main access to the facility.<br />
Relating to the spatial requirements of the new school, the flexibility of the interior spaces allowing different options and developments of artistic activity, the obtention of linked spaces, new overviews and the maximum use of natural light and crossed ventilation have been dealt with.<br />
The limits of indoor use are solved containing permanent uses, and its texture and colour allow the architecture to be the background for the students’ activities and their artistic production.<br />
Fragmentation, verticality and filtered natural light are aesthetic qualities inherent in the Historical Centre we wanted to interpret.</p>
<p>Author: Jaume Terés</p>
<p>Work directors: Jaume Terés, Miquel Àngel Sala (BOMA)</p>
<p>Consultants: Structural: BOMA, Quality surveyor: ACSA Obres i Infraestructures, SA.</p>
<p>Collaborators: Sílvia Forns, Rubén Aragüés, Jordi Cestero (BOMA)</p>
<p>Area: 2694,75 M2</p>
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		<title>Exe arquitectura: Social facilities at Roses</title>
		<link>http://quaderns.coac.net/en/2012/03/263-exe-arquitectura/</link>
		<comments>http://quaderns.coac.net/en/2012/03/263-exe-arquitectura/#comments</comments>
		<pubDate>Thu, 01 Mar 2012 12:59:24 +0000</pubDate>
		<dc:creator>blogquaderns</dc:creator>
				<category><![CDATA[263]]></category>
		<category><![CDATA[issues]]></category>
		<category><![CDATA[Observatory]]></category>
		<category><![CDATA[Equipament]]></category>
		<category><![CDATA[Preservat al Buit]]></category>

		<guid isPermaLink="false">http://quaderns.coac.net/?p=1895</guid>
		<description><![CDATA[(Català) L’edifici es situa al centre històric de Roses, a primera línea de mar, destaquen de l´emplaçament les vistes obertes cap al passeig marítim i el mar.]]></description>
				<content:encoded><![CDATA[<p>The building is located in the historic center of Roses, where once stood Ca l&#8217;Anita (estanc de la punta). Highlights of the site are the open views towards the promenade and the sea, in contrast to the narrow streets perpendicular to the sea. The building sits in between these two types of plot.</p>
<p>The building volume is defined as a solid body, with a void on the ground floor, which oxygenates the Street <em>San</em><em> </em><em>Isidre</em>, while leading the views to the sea. This void creates a ground floor porch where the main entrance is located.</p>
<p>Inside the building, the plant is divided into two strips: the one with common spaces throughout the building length, which distributes traffic between all the spaces, with large openings and distant views towards the sea, and the classrooms strip, with openings of a more appropriate scale for an old town, respecting the environment and protecting the privacy of neighboring homes and classrooms.</p>
<p>The ventilated facade is finished with perforated panels that form the same original geometric pattern mosaic covering the floor of the old house. With the placement of these plates we wanted to put all the emphasis in the past of the site where stands the new building and witness the former existence of the popular shop of Anita.</p>
<p>During the design and construction process, energy and environmental aspects of the building has been enhanced. The building has been designed following the parameters of the LEED energy certification, being one of the first cultural facilities in Spain involved in this process.</p>
<p><em>Project</em>: Equipamiento Social Ca L’Anita- Estanc de la Punta en Roses</p>
<p><em>Authors</em>:  exe.arquitectura ( Jaume Valor + Elisabeth Sadurní + Marc Obradó )</p>
<p><em>Consultants</em>: Etec (<em>budget</em>), Arquitècnics (<em>mechanical</em>), Bernuz-Fernandez (<em>structural</em>), Conrad Torras (<em>graphic design</em>), Green Living Projects (<em>LEED consultant</em>)</p>
<p><em>Collaborators</em>: Laura Llimós, <em>architect. </em>Marc Abril, <em>architect.</em></p>
<p><em>Area</em>: 900 m2</p>
<p><em>Budget</em>: 1.564.200,00€ PEC</p>
<p><em>Photography</em>: Conrad Torras</p>
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		<title>Guillem Carabí: On the subject of refurbishment; Jujol and can Negre</title>
		<link>http://quaderns.coac.net/en/2012/02/263-guillem-carabi/</link>
		<comments>http://quaderns.coac.net/en/2012/02/263-guillem-carabi/#comments</comments>
		<pubDate>Fri, 17 Feb 2012 08:27:21 +0000</pubDate>
		<dc:creator>blogquaderns</dc:creator>
				<category><![CDATA[263]]></category>
		<category><![CDATA[issues]]></category>
		<category><![CDATA[Observatory]]></category>
		<category><![CDATA[Jujol]]></category>

		<guid isPermaLink="false">http://quaderns.coac.net/?p=1976</guid>
		<description><![CDATA[(Català) L’arquitectura de Josep M. Jujol ha estat explicada, habitualment, des de l’estigma de la manca de recursos. La precarietat dels encàrrecs de clients modestos i la senzillesa dels materials utilitzats als seus edificis semblen legitimar aquesta percepció.]]></description>
				<content:encoded><![CDATA[<p>The architecture of J. M. Jujol has often been explained as being stigmatized by his lack of resources. The paucity of commissions from clients of modest means, together with the simplicity of the materials used in his buildings, would seem to corroborate this perception.</p>
<p>“Enhance the house”. This, and none other, was the objective of the commission that Pere Negre and Engracia Balet entrusted to the architect, whose work on refurbishing the <em>Can Negre</em> farmhouse in Sant Joan Despí would go on for fifteen years, dictated by the yearly profits of its owners. Dressing and transforming the home. Something that Loos had already explained in <em>The Principle of Building</em> (1898): “Let’s say that the architect’s general task is to provide a warm and liveable space. Carpets are warm and liveable. He decides for this reason to spread one carpet on the floor and to hang up four to form the four walls. (…) In the beginning was cladding. Man sought shelter from inclement weather and protection and warmth while he slept. He sought to cover himself. The covering is the oldest architectural detail.”<a title="" href="#_ftn1">[1]</a></p>
<p>We simply need to look at photographs from towards the end of the refurbishment process of <em>Can Negre</em> to recognise, above the central window, the gesture that epitomises Adolf Loos’s maxim: the covering. The architecture of J. M. Jujol uses this gesture, which was already evident from the first sketches that documented the reform, to echo the first principle of architecture: protection from the elements.</p>
<p>J. M. Jujol thus reveals the true value of his work. His work not only covers but also reveals, allowing what is natural – the air, the water, the earth, the flora and fauna – to dress the architecture. And this can be seen in the change of render that reverberated with the fluttering leaves of the trees in the garden that faced the façade; hence the main window seeks contact with the earth by means of slender iron bars that could easily be the legs of some great insect living in the surroundings of the old farmhouse; thus he allows the birds to flit across the façade, fluttering by doors and windows whose jambs and lintels gradually disappear until merging into a continuum with the threshold that separates inside from outside; thus the cornice outlines the plane of the façade beneath the sky, undulating and taking on the breadth and texture of the palms that once stood close by and are now long gone.</p>
<p>The architecture of J. M. Jujol was not short of resources. In fact, he accommodated all of them, using them, transforming them and sharing them, uniting emblems, materials and techniques. This is what we see through the eyes of J. M. Jujol; this is how <em>Can Negre</em> was refurbished.</p>
<p>&nbsp;</p>
<div>
<div>
<p><a title="" href="#_ftnref">[1]</a> Adolf Loos, “The Principle of Cladding”,<em>  Spoken into the Void, 1897-1900</em>, translation into Spanish by Irma Huici (1984; Murcia: Association of Architects and Quantity Surveyors of Murcia) p.149.</p>
</div>
</div>
<p>&nbsp;</p>
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		<title>Flexo Arquitectura: Day center and community activities.</title>
		<link>http://quaderns.coac.net/en/2012/02/263-flexo-arquitectura/</link>
		<comments>http://quaderns.coac.net/en/2012/02/263-flexo-arquitectura/#comments</comments>
		<pubDate>Sun, 12 Feb 2012 17:39:47 +0000</pubDate>
		<dc:creator>blogquaderns</dc:creator>
				<category><![CDATA[263]]></category>
		<category><![CDATA[issues]]></category>
		<category><![CDATA[Observatory]]></category>
		<category><![CDATA[PreservatalBuit]]></category>

		<guid isPermaLink="false">http://quaderns.coac.net/?p=1757</guid>
		<description><![CDATA[In a suburban residential area, situated at the edge between the periphery and the urban tissue of Palma, we are asked to propose a day center and community activities for a small budget: 620€/m2.]]></description>
				<content:encoded><![CDATA[<p>In a suburban residential area, situated at the edge between the periphery and the urban tissue of Palma, we are asked to propose a day center and community activities for a small budget: 620€/m2. The proposal is based on three basic principles:</p>
<p><strong>1.COLLECTIVE AREAS 1. Collective Areas</strong></p>
<p>We understand the project as an opportunity to enhance relations and collective activities in the center. Therefore, the building is arranged around a large and sunny private garden, sheltered from the wind and protected from pedestrians’ view, that articulates all the activities.</p>
<p><strong>2.CHARACTER 2. Character</strong></p>
<p>We propose the consolidation of the center’s institutional character as the articulator of the public area by the building’s image, therefore, we use a unique colour (white) in order to unify the different materials used on the facade.</p>
<p><strong>3.RESOURCES 3. Resources</strong></p>
<p>Because of the economic budget constraint of 620 €/m2, we propose to give a hybrid answer, combining local (artisan) techniques and materials, with global (industrial) techniques and materials. This way, we can optimise the resources offered by both sectors. We will use the architectural form as a strategy for sustainability emphasising passive strategies. In short, we are interested in the ability of any project to give a meaning within a specific cultural context using an unprejudiced</p>
<p>attitude allowing us to find opportunities even in the apparent worthless. We propose using particular cultural contexts as opportunities from which to build the project’s strategy. We chose an inclusive and unprejudiced attitude that doesn’t discriminate neither this or that, but opts for this and that.</p>
<p>&nbsp;</p>
<p><em>Adress</em>: C. Pensament, 5 Palma de Mallorca.</p>
<p><em>Consultants</em>: J.P Rodríguez (<em>structure</em>); Bàrbara Estudillo (<em>quality surveyor</em>); T. Aguilar (<em>mechanical</em>)</p>
<p><em>Collaborators</em>: Albert Gener, Cristina Oliver.</p>
<p><em>Area</em>: 530 m2</p>
<p><em>Budget</em>: 350000 €</p>
<p><em>Photography</em>: José Hevia</p>
]]></content:encoded>
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		<title>Quaderns Sessions: Observatory #262</title>
		<link>http://quaderns.coac.net/en/2011/11/sessions-observatori-262/</link>
		<comments>http://quaderns.coac.net/en/2011/11/sessions-observatori-262/#comments</comments>
		<pubDate>Tue, 29 Nov 2011 20:00:25 +0000</pubDate>
		<dc:creator>mario</dc:creator>
				<category><![CDATA[agenda]]></category>
		<category><![CDATA[Observatory]]></category>

		<guid isPermaLink="false">http://quaderns.coac.net/?p=1672</guid>
		<description><![CDATA[Date: Tuesday November 29 Time: 8 pm Place: COAC sede Plaça Nova With: Conxita Balcells Batlle i Roig Bru-Lacomba-Setoain Sophie Demigneux Joaquín Pérez- Eva Girona Rita Pinto de Freitas Sala-Ferusic...]]></description>
				<content:encoded><![CDATA[<p>Date: Tuesday November 29<br />
Time: 8 pm<br />
Place: COAC sede Plaça Nova</p>
<p>With:</p>
<p>Conxita Balcells<br />
Batlle i Roig<br />
Bru-Lacomba-Setoain<br />
Sophie Demigneux<br />
Joaquín Pérez- Eva Girona<br />
Rita Pinto de Freitas<br />
Sala-Ferusic<br />
Julia Schulz-Dornburg</p>
<p>Moderator: Jordi Adell</p>
<p><a href="http://www.facebook.com/events/171189012976543/" target="_blank">RSVP</a></p>
]]></content:encoded>
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		<title>Quaderns Sessions: Observatori #261</title>
		<link>http://quaderns.coac.net/en/2011/07/sessions-observatori-261/</link>
		<comments>http://quaderns.coac.net/en/2011/07/sessions-observatori-261/#comments</comments>
		<pubDate>Thu, 07 Jul 2011 20:00:53 +0000</pubDate>
		<dc:creator>mario</dc:creator>
				<category><![CDATA[261]]></category>
		<category><![CDATA[events]]></category>
		<category><![CDATA[Observatory]]></category>
		<category><![CDATA[Sessions]]></category>

		<guid isPermaLink="false">http://quaderns.coac.net/?p=892</guid>
		<description><![CDATA[With: Jordi Adell, Arquitectura-G, La Petita dimensió, David Sebastian + Gerard Puig]]></description>
				<content:encoded><![CDATA[<p>Day: July 7<br />
Time: 20h<br />
Place: COAC Plaça Nova</p>
<p>With: Jordi Adell, Arquitectura-G, La Petita dimensió, David Sebastian + Gerard Puig</p>
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